Quote Of The Day: Massimo Vignelli

Minimalism is not a style, it is an attitude, a way of being. It's a fundamental reaction against noise, visual noise, disorder, vulgarity. Minimalism is the pursuit of the essence of things, not the appearance.

– Massimo Vignelli

The Scout Interview With House Industries Is Necessary

House Industries is one of the most innovative type foundries operating today. I have long been a huge fan of their retro-contemporary approach. Recently The Scout sat down with House head honcho Andy Cruz to discuss their practice.

Great stuff. Read the complete interview here.

Summer Film Recommendation: Paris, Texas

I don't know what it is about summer, but I find that I really like to watch alot of films during that season. Maybe it is because I live in South Carolina now and can't watch the Detroit Tigers everynight (they aren't broadcast down here), but I find myself watching even more films than normal from June until August. So I thought I would make some Summer Film Recommendations.

The first film I would like to kick off this column with is the brilliant Wim Wenders film Paris, Texas. The film won the Palme d'Or at the Cannes Film Festival in 1984, was written by the superb Sam Shepherd, and features a subtly beautiful soundtrack written and performed by the legendary Ry Cooder. It features the incredibly underrated Harry Dean Stanton and Natassja Kinski as well as Dean Stockwell and Aurore Clement in career defining performances.

From Wikipedia:

The film stars character actor Harry Dean Stanton as Travis, who has been lost for four years and is taken in by his brother (played by Dean Stockwell). He later tries to put his life back together and understand what happened between him, his wife Jane (Nastassja Kinski), and his son Hunter (Hunter Carson)...Paris, Texas is notable for its images of the Texas landscape and climate. The first shot is a bird's eye-view of the desert, a bleak, dry, alien landscape. Shots follow of old advertisement billboards, placards, graffiti, rusty iron carcasses, old railway lines, neon signs, motels, seemingly never-ending roads, and Los Angeles, finally culminating in some famous scenes shot outside a drive-through bank in down-town Houston. The cinematography is typical of Robby Müller's work, a long-time collaborator of Wim Wenders...The film is accompanied by a slide-guitar score by Ry Cooder, based on Blind Willie Johnson's "Dark Was the Night, Cold Was the Ground".

That description describes the tangible objects and locations in the film, but does not describe the incredible atmosphere created through lighting, pacing, and music. The film does not look or sound dated in the least; in fact it looks as if it may have just been released due to the clarity of the cinematography, the way the each frame looks like a sublime, magical-realism photograph.

And the performances are staggering, painful and moving. The scene between Travis and Jane is one of the greatest in cinema history. I don't want to say much about it to spoil anything for you, but if you still have a dry eye at it's close then you may need to check yourself for a pulse.

Paris, Texas is an achingly beautiful meditation on the existential, inevitable distance between human beings. A truly unique film experience. If you have some time this summer, check it out.