I bet you didn't know it, but this man changed your life. Yep, this guy. Take a look at this great retrospective of Photoshop's 20 years. So cool.
Thanks again Nubby for the heads up.
Top Ten Reasons Iggy Pop is the Hero of the Week
10. His small but funny role opposite (another hero) Tom Waits in Cigarettes & Coffee.
9.5 Ewan McGregor played him as Curt Wilde in cult rock film Velvet Goldmine.
9. His 1977 masterpiece The Idiot was still spinning on the turntable when the body of (another hero) Ian Curtis was found after committing suicide.
8.5 Andy Warhol wrote the introduction to his autobiography, I NEED MORE.
8. The reissue of Funhouse by The Stooges featured liner notes by (another hero) Jack White, who totally accurately stated, "I remember screaming in my head, 'This is Detroit!' And that's what Fun House is to me, the very definition of Detroit rock & roll, and by proxy the definitive rock album of America. The record's passion, attitude, power, emotion and destruction are incalculable."
7. Fronted The Stooges, the greatest (at least tied) American rock n roll band of all time. The Stooges personify the punk kill-or-be-killed attitude that informed a million bands after, from The Sex Pistols to Them Crooked Vultures.
6.5. His solo Letterman performance of Mask. Watch the faces in the audience - hilarious.
6. His small but incredibly memorable role in underrated classic Dead Man. Watch this.
5. The moment Ig says, “Jesus, this is Iggy” on Turn Blue from Lust For Life. Makes me laugh every time. Also when he says “Oh you slay me” on Success, and the line "we're gonna get stoned, and uh, run around" from Funtime too. Without fail, I laugh out loud everytime.
4. Worked with Bowie during his legendary Berlin Trilogy. Classics all.
3. Wrote the twin 1977 masterpieces The Idiot and Lust For Life which continue to be an enormous influence on my life and work.
2. The Stooges second album, Funhouse, is a perfect album - the best (tied) American rock n roll album of all time. Oh, and he wrote Raw Power. Yeah.
1. The man has been, and still is, the living embodiment of rock and roll. Nobody does it better.
Each time [the Basses] would study the film, take a few months, and then send us back a test that exceeded my wildest expectations. The simple, speeding graphic of the Goodfellas (1990) titles synced to the sound of speeding cars on an expressway...the ominous, wavering reflections in water of phantom images that began Cape Fear (1991)...the endlessly blooming flowers, like love renewing itself again and again, under layers of lace for The Age of Innocence (1993)...the form of a man falling through a neon hell in Casino (1995). These title sequences didn't just complement my pictures, they gave them another layer, embodying the themes and the emotions in a way that led viewers into the mystery of the film without giving it all away.